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Tilta Nucleus Auto Focus Adapter Explained - Unlock the Full Potential of Every Manual Lens
1+ hour, 4+ min ago (527+ words) MZed Cyber Week - EXTENDED: UP TO 75% OFF COURSES - JOIN MZED PRO ANNUALLY FOR ONLY $199! MZed CYBER WEEK - UP TO 75% OFF COURSESJOIN MZED PRO ANNUALLY FOR ONLY $199! For lenses not yet in the library, the system provides manual calibration tools. Phil noted that while Tilta aims to include "a lot of database of different brand lenses," users working with uncommon or custom glass will need to run through the calibration process themselves. The company hasn't specified exactly how many lens profiles will ship with the initial release. The adapter maintains full access to the camera's autofocus features, including face detection and eye tracking. During the demo, we saw the system successfully recognize and track multiple faces on the monitor display. Since the adapter simply passes AF data from the camera to the motors, any autofocus modes supported by the camera body…...
Cartoni Ragno Pod Announced – Portable Tripod Riser with 100kg Payload, 629mm Elevation
4+ hour, 24+ min ago (471+ words) MZed Cyber Week - EXTENDED: UP TO 75% OFF COURSES - JOIN MZED PRO ANNUALLY FOR ONLY $199! MZed CYBER WEEK - UP TO 75% OFF COURSESJOIN MZED PRO ANNUALLY FOR ONLY $199! The Ragno Pod raises your existing tripod setup by 629mm (24.76 inches), providing that crucial vantage point when shooting over crowds at concerts, conferences, sporting events, or house of worship productions. The riser weighs 9kg (19.84 lbs) and supports a maximum payload of 100kg (220.46 lbs), which should accommodate virtually any broadcast or cinema camera setup with fluid head. Cartoni constructed the Ragno Pod from aviation-grade aluminum, balancing lightweight portability with the rigidity required for stable operation. The wide tripod footprint accommodates popular tripods equipped with floor spreaders, built-in spreaders, or rubber feet. A footprint diameter of 1343mm (52.87 inches) at minimum height ensures a stable base even with heavy payloads. One of the practical considerations when working on location is uneven…...
FUJIFILM Hands-On with GFX ETERNA 55 — Chapter 1 “Camera Set-Up” Released
22+ hour, 46+ min ago (352+ words) MZed Cyber Week - EXTENDED: UP TO 75% OFF COURSES - JOIN MZED PRO ANNUALLY FOR ONLY $199! MZed CYBER WEEK - UP TO 75% OFF COURSESJOIN MZED PRO ANNUALLY FOR ONLY $199! FUJIFILM has released the first chapter of their hands-on video series for the GFX ETERNA 55, with imaging specialist Michael Bulbenko walking through the camera's physical layout and included accessories. This introductory chapter covers everything from mounting options and power systems to lens adaptation and the dual-sided control layout. Michael Bulbenko, who has spent over 30 years working in imaging from various perspectives (behind the camera, in front of it, and at the computer), guides viewers through the initial setup process. The video serves as a practical introduction for cinematographers looking to get up and running with FUJIFILM's medium format cinema camera quickly. The GFX ETERNA 55 features extensive mounting options right out of the box, with…...
Sony A7 V vs Canon EOS R6 Mark III - Which is Better? | Photography Blog
1+ day, 18+ hour ago (1721+ words) At first glance, the Sony A7 V and the equally new Canon EOS R6 Mark III are both 33 megapixel full-frame mirrorless cameras that are designed to be an all-round hybrid stills/video solution aimed at enthusiasts. They're very similar when it comes to their core specifications, so we're bringing you this Sony A7 V vs Canon EOS R6 Mark III head-to-head comparison to help you choose between the two cameras. You can also read our detailed'Canon EOS R6 Mark III review'to find out exactly what we think of it in much more depth. The Canon EOS R6 Mark III utilises a 32.5 megapixel CMOS sensor and the latest Digic X processor, which provides a'34.3%'increase in resolution compared to its 24.2 megapixel predecessor as well as offering 7K 60p internal RAW video recording. The A7 V features a brand new 33 megapixel sensor partially-stacked Exmor RS CMOS sensor paired with the equally…...
Sony A7 V vs Nikon Z8 - Which is Better? | Photography Blog
1+ day, 18+ hour ago (1745+ words) At first glance, the Sony A7 V and the Nikon Z8 are both mid-range full-frame mirrorless cameras that are designed to be all-round hybrid stills/video all-rounders aimed at enthusiasts. They're very similar when it comes to their core specifications, so we're bringing you this Sony A7 V vs Nikon Z8 head-to-head comparison to help you choose between the two cameras. You can also read our detailed'Nikon Z8 review'to find out exactly what we think of it in much more depth. These two cameras offer different megapixel counts and also use different sensor technologies. The Nikon Z8 has a 45.7 megapixel stacked BSI CMOS image sensor paired with the latest EXPEED 7 processor. The A7 V features a brand new 33 megapixel sensor partially-stacked Exmor RS CMOS sensor paired with the equally new Bionz XR2 processor. This combination primarily offers even greater dynamic range, less rolling shutter and 4.5x faster readout speed…...
Extended: Save Up to 20% at the KEH Black Friday Sale!
1+ day, 23+ hour ago (113+ words) [KEH Logo] Extended through today, December 2nd at 11:59 pm ET, use promo code BFCM25 to save up to 20% at the KEH Black Friday sale. This is KEH's best sale of the year. Inventory has been updated during this sale " browse again for items of interest. "* Some exclusion apply." Extended: Save Up to 20% at the KEH Black Friday Sale! Extended through today, December 2nd at 11:59 pm ET, use promo code BFCM25 to save up to 20% at the KEH Black Friday sale. This is KEH's best sale of the year. Inventory has been updated during this sale " browse again for items of interest. Deals & Shopping News...
Just Announced: Sony Alpha 7 V and FE 28-70mm f/3.5-5.6 OSS II Lens
1+ day, 23+ hour ago (857+ words) Sony just announced the long-awaited Alpha 7 V. Order the Sony Alpha 7 V from B&H | Sony | WEX Order the Sony FE 28-70mm f/3.5-5.6 OSS II Lens from B&H | Sony Sony Electronics Launches Alpha 7 V and FE 28-70mm f/3.5-5.6 OSS II Advanced AI Subject Recognition and Unmatched Autofocus Capabilities Deliver a Dramatic Evolution for Stills and Video Evolution for Stills and Video Additionally, Sony launches the FE 28-70mm f/3.5-5.6 OSS II (SEL28702), a Full-frame compatible, compact and lightweight standard zoom lens that supports the Alpha 7 V's high-speed continuous shooting. The combination of a partially stacked Exmor RS" CMOS image sensor with approximately 4.5 times faster7 readout speed increased and the BIONZ XR2" processor results in high image quality with minimal distortion. The Pre-Capture function10, which can record up to 1 second before the shutter is pressed, captures decisive moments even with subjects whose movements are difficult to predict, such as…...
1+ day, 23+ hour ago (1317+ words) The Canon EOS R6 Mark III is a full-frame camera with 32.5 Megapixels, IBIS, 40fps bursts, and 7k RAW video. Announced in November 2025, it shares essentially the same launch price as the R6 Mark II launched exactly three years previously." I'll start with imaging, with the R6 III inheriting the same 32.5 Megapixel full-frame CMOS sensor introduced on the EOS C50 Cinema camera launched two months previously. You can choose whether the mechanical shutter curtain closes when powered down. The standard sensitivity range runs between 100 and 64000 ISO, with extended Low and High options at 50 and 102400 ISO. Note the C50 cinema camera employs a dual-base ISO system, but Canon informed me the R6 III does not; I'll be confirming that in my final review. Like the R6 II, the Mark III also offers pre-shooting options when shooting electronically, but thankfully the cumbersome RAW burst mode of the Mark II has been swapped…...
Sony A7 V vs Panasonic Lumix S1 II - Which is Better? | Photography Blog
1+ day, 23+ hour ago (1879+ words) At first glance, the Sony A7 V and the Panasonic Lumix S1 II are both mid-range full-frame mirrorless cameras that are designed to be all-round hybrid stills/video all-rounders aimed at enthusiasts. They're very similar when it comes to their core specifications, so we're bringing you this Sony A7 V vs Panasonic Lumix S1 II head-to-head comparison to help you choose between the two cameras. You can also read our detailed'Panasonic Lumix S1 II review'to find out exactly what we think of it in much more depth. These two cameras offer different megapixel counts and also use different sensor technologies. The Panasonic S1 II features a partially stacked 24.1 megapixel full-frame CMOS sensor, which is a first for the Lumix range, paired with the latest generation Venus image processing engine.. This new sensor allows the S1 II to offer higher speed burst shooting modes all other Lumix models....
Sony A7V Announced: Official Press Release
2+ day, 1+ hour ago (221+ words) Sony A7 V is finally official, and the wait is over. The new A7 V camera features a recently developed 33-megapixel BSI sensor and BIONZ XR2 image processor. For the first time, Sony has introduced a partially stacked CMOS sensor inside the Alpha A7 series, and with the help of the partially stacked CMOS readout Continue reading Sony A7V Announced: Official Press Release New cameras, Camcorder and DSLR Sony A7V Announced: Official Press Release Sony A7 V is finally official, and the wait is over. The new A7 V camera features a recently developed 33-megapixel BSI sensor and BIONZ XR2 image processor. For the first time, Sony has introduced a partially stacked CMOS sensor inside the Alpha A7 series, and with the help of the partially stacked CMOS readout speed and BIONZ XR image processor, the camera can shoot up to 30 frames per second continuous images. The new semi-stacked CMOS…...